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・ Holy Trinity Church, Lenton
・ Holy Trinity Church, Lickey
・ Holy Trinity Church, Little Ouseburn
・ Holy Trinity Church, Long Melford
・ Holy Trinity Church, Malvern Link
・ Holy Trinity Church, Marylebone
・ Holy Trinity Church, Micklegate, York
・ Holy Trinity Church, Millom
・ Holy Trinity Church, Morecambe
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・ Holy Transfiguration Monastery Church, Mingul
・ Holy Transfiguration Monastery Church, Çatistë
・ Holy Transfiguration of Our Lord Chapel
・ Holy Translators
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Holy Trinity (Botticelli)
・ Holy trinity (cuisine)
・ Holy Trinity (disambiguation)
・ Holy Trinity (Masaccio)
・ Holy Trinity Academy
・ Holy Trinity Academy (Drayton Valley)
・ Holy Trinity Academy (Philippines)
・ Holy Trinity Anglican Church
・ Holy Trinity Anglican Church (Alma, Prince Edward Island)
・ Holy Trinity Anglican Church (Maple Grove, Quebec)
・ Holy Trinity Anglican Church (Singapore)
・ Holy Trinity Anglican Church (Stanley Mission, Saskatchewan)
・ Holy Trinity Anglican Church, Woolloongabba
・ Holy Trinity Avonside
・ Holy Trinity Barnes


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Holy Trinity (Botticelli) : ウィキペディア英語版
Holy Trinity (Botticelli)

The ''Holy Trinity'' or ''Pala delle Convertite'' is an altarpiece by the Italian Renaissance painter Sandro Botticelli, dating to c. 1491–1493. It is housed in Courtauld Institute Galleries of London.
It was originally commissioned by the ''Arte dei Medici e degli Speziali'' (guild of the Doctors and Pharmacists) for the church of Santa Elisabetta delle Convertite in Florence, a church/monastery housing former prostitutes or fallen women, who had converted from the licentious life to one of honesty, and whose patron saint was Mary Magdalene〔''Le Maddalene penitenti, ossia le povere convertite dalla licenziosa vita alla onestà, erano raccolte in un monastero detto delle Convertite'' quote regarding a convent of the Convertite from Curiosità Romane, Parts 1-3 By Costantino Maes (1885).()〕
The picture shows the Trinity (Jesus Crucified, God and the Holy Spirit's Dove) within an almond with seraphim. In the background is a blue sky within two rocky spurs, in front of which are Mary Magdalene, taken in an intense praying posture, and St. John the Baptist, patron saint of Florence, who, as usual in the pictures of the period, is pointing to the center of the composition. The figure of Magdalene resembles the contemporary "Magdalene Penitent" by Donatello (1453–1455) and that by Desiderio da Settignano (c. 1455) in the church of Santa Trinita.
In the lower part, in a smaller scale, are the Archangel Raphael with Tobias, who is holding the fish that, in the Biblical tale, he had been ordered by angel to capture in order to save his father. Raphael was the patron saint of the Arte dei Medici e degli Speziali.
==External links==

*(Page at www.wga.hu )


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